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When Ex Hex exploded onto the scene with their unfettered brand of rock and riffage, the power trio for our generation had finally arrived. Made up of Mary Timony, Betsy Wright, and Laura Harris, the group’s debut Rips was a gleaming collection of tightly wound gems that scored Best New Music honors from Pitchfork, the top spot on Magnet Magazine’s Best of 2014 list, and No. 11 in that year’s Pazz and Jop critics poll. Touring throughout 2015 and 2016 established the band as a force to be reckoned with: an audacious three-piece distilling rock music to its essence with formidable skills and a reputation for frenzied and unabashedly fun live shows. On It’s Real, the second album, Ex Hex’s commitment to larger than- life riffs and unforgettable hooks remains intact, but the garage-y, postpunk approach that defined Rips has grown in scale and ambition. What started as a reaction to the blown-out aesthetic of Rips would test the sonic limits of the power trio and lead the band on a quest for a more immersive and three dimensional sound. Vocal harmonies are layered ten tracks deep, solos shimmer and modulate atop heaving power chords, and the codas linger and stretch toward new frontiers of sound.
Produced by Jonah Takagi, It’s Real was a more collaborative effort than its predecessor. Mary and Betsy could be found writing late into the night, leaning on Takagi to tighten up arrangements. Egos were surrendered in service to the music: Nothing was sacred or precious, and there was a relentless devotion to both songcraft and exploration. Dozens of guitar amps sat mic-ed in the next room, and the group experimented at a frenzied pace parsing countless combinations of instruments, pedals, and amps. They even dusted off Mary’s old Rockman, a small headphone amp designed by Boston guitarist Tom Scholz in 1982. The opening track Tough Enough is punky and defiant, with stacked backing vocals posing the question “Are you tough enough (to let it go)?” that’s resoundingly answered in the affirmative by a searing, triumphant guitar solo. Cosmic Cave is a bittersweet rave-up with shimmering phased guitars, a gooey candied chorus, and beamed-in “whoa-oh-ohs” that add a touch of melancholia to the frenzied speed-of-sound pace. The ferocious and anthemic Rainbow Shiner is what Wright describes as “a victory song.” Her mordacious central riff is coupled with dueling guitar-god solos that explode from the stereo spectrum. The starlit Another Dimension has it all: pounding drums, palm-muted humbucking chugs, soaring harmonized vocals, and a stark, ethereal bridge that sends listeners deep into the lush sonic landscape that the band set out to create. Ex Hex were already one of America’s best guitar bands—but on It’s Real, their musical savvy has thrillingly combined with anything-goes curiosity, studio experimentation, and a dedication to refinement, resulting in an album that’s ready to be played at maximum volume.